Difference between revisions of "Minecraft - Volume Beta"
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|imagewidth=250 | |imagewidth=250 | ||
|date=2013-11-09 | |date=2013-11-09 | ||
|genre=Ambient | |genre=Ambient, Orchestral | ||
|time= | |time=2:20:49 | ||
|bandcamp=[https://c418.bandcamp.com/album/minecraft-volume-beta $7 or more] | |bandcamp=[https://c418.bandcamp.com/album/minecraft-volume-beta $7 or more] | ||
|spotify=[https://open.spotify.com/album/7CYDRyFCKtAYJBSpfovLyX Ad-supported] | |spotify=[https://open.spotify.com/album/7CYDRyFCKtAYJBSpfovLyX Ad-supported] | ||
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{{WIP}} | {{WIP}} | ||
{{triviastub}} | |||
= Official descriptions = | |||
{{Quote|The second official soundtrack of Minecraft. 140 minutes in length and extremely varied. | |||
Featuring the all-new creative mode, menu tunes, the horrors of the nether, the end's odd and misleading soothing ambiance and all the missing record discs from the game! <br \> | |||
It's my longest album ever, and I hope you'll love the amount of work I crammed into it.|[[C418]]|[https://c418.bandcamp.com/album/minecraft-volume-beta Bandcamp]}} | |||
{{Quote|This is the second part to the official soundtrack to the most popular video game in recent history. Critics like to compare the style of my album to Erik Satie, Roedelius, and Brian Eno. Aphex Twin also once said I stole his style.<br \> | |||
The big difference of Volume Beta is that the tone is both more positive and at times very dark. Some of the songs even have percussion, which is something that was a complete rarity with Volume Alpha. For example ''Taswell'' or ''Aria Math''.<br \> | |||
A bunch of the songs are VERY long.<br \> | |||
''Alpha'', being 10 minutes, while “The End” clocks in at 15 minutes. And a lot of the “creative mode” songs are at least around 8 minutes in length.<br \> | |||
Additionally, this soundtrack contains the collectible records, which are little vinyl songs you can find in Minecraft, the game. With the exception of ''Cat''. That song you can find on the previous soundtrack, Volume Alpha.<br \> | |||
I released this album in late 2013 when I was about to be doing a gig in Mexico. Every time I think about this album, I get nostalgic about Mexico and how wildly different it is from the life I know from Germany or Canada. Though now that I think about it, I feel like Volume Alpha might be a love record to Europe, while Beta is dedicated to America and Asia. This might sound like gibberish to you, but to me it’s kind of a personal internalized opinion.|C418}} | |||
'''''Minecraft Volume Beta''''' was C418's fourth major, commercial release. | |||
= Tracks = | |||
== Ki == | |||
{{Track infobox | |||
|name=Ki | |||
|time=1:32 | |||
|bandcamp=[https://c418.bandcamp.com/track/ki $1] | |||
|spotify=[https://open.spotify.com/track/6nCW5Ju2Yo3zCFKNYtNQvA Ad-supported] | |||
}} | |||
{{Quote|''Ki'', like ''Key'', on the previous album is an introduction to the album. But this time it’s not quiet, somber and welcoming, but dark and foreboding.|C418}} | |||
== Alpha == | |||
{{Track infobox | |||
|name=Alpha | |||
|time=10:03 | |||
|bandcamp=[https://c418.bandcamp.com/track/alpha $1] | |||
|spotify=[https://open.spotify.com/track/0RZfz4zLlFb1lNtoEr7yDR Ad-supported]}} | |||
{{Quote|''Alpha'' is a medley of past songs. It acts as the score that plays when you “beat” Minecraft, but it also acts as a celebration of past music from [[Minecraft - Volume Alpha|'''''Volume Alpha''''']].|C418}} | |||
=== Trivia === | |||
*''Alpha'' was nominated as "The best C418 song of all times". | |||
== Dead Voxel == | |||
{{Track infobox | |||
|name=Dead Voxel | |||
|time=4:56 | |||
|bandcamp=[https://c418.bandcamp.com/track/dead-voxel $1] | |||
|spotify=[https://open.spotify.com/track/36Cv84a2qCZarCdtTcMJnj Ad-supported]}} | |||
== Blind Spots == | |||
{{Track infobox | |||
|name=Blind Spots | |||
|time=5:32 | |||
|bandcamp=[https://c418.bandcamp.com/track/blind-spots $1] | |||
|spotify=[https://open.spotify.com/track/6K8HUxHtrxGKUJxY6lEQy0 Ad-supported]}} | |||
{{Quote|''Blind Spots'' is the first song I wrote with the clear intention of having a unique soundtrack for Minecraft’s “creative mode”. I tried to create a piece that doesn’t particularly change much, but keeps reiterating on itself, like a constant remixing of its core theme. As the piece ends, it becomes very melancholic and solemn, but quickly returns to being positive. Things end, but that’s not bad.|C418}} | |||
== Flake == | |||
{{Track infobox | |||
|name=Flake | |||
|time=2:50 | |||
|bandcamp=[https://c418.bandcamp.com/track/flake $1] | |||
|spotify=[https://open.spotify.com/track/1FOlGfdJdsq6NppmPNqdmb Ad-supported]}} | |||
== Moog City 2 == | |||
{{Track infobox | |||
|name=Moog City 2 | |||
|time=3:00 | |||
|bandcamp=[https://c418.bandcamp.com/track/moog-city-2 $1] | |||
|spotify=[https://open.spotify.com/track/1kKaRzjW8OiGLriIdpXHT1 Ad-supported]}} | |||
{{Quote|''Moog City 2'' is a recreation of ''Moog City'' from '''''Minecraft''''' [[Minecraft - Volume Alpha|'''''Alpha''''']]. However this time I actually did use Moog synthesisers, along a lot of other synths that I acquired over the course of making this album.|C418}} | |||
== Concrete Halls == | |||
{{Track infobox | |||
|name=Concrete Halls | |||
|time=4:14 | |||
|bandcamp=[https://c418.bandcamp.com/track/concrete-halls $1] | |||
|spotify=[https://open.spotify.com/track/29ZFiPARacZoV5PqH2ykJl Ad-supported]}} | |||
== Biome Fest == | |||
{{Track infobox | |||
|name=Biome Fest | |||
|time=6:18 | |||
|bandcamp=[https://c418.bandcamp.com/track/biome-fest $1] | |||
|spotify=[https://open.spotify.com/track/7ozOcSZlwhqqdrCVJiwbpp Ad-supported]}} | |||
{{Quote|''Biome Fest'' is a song that I created when Minecraft Alpha was done, but I felt it had no place anywhere in the game, until the creative mode was sort of reintroduced to the game. It’s one of my favourite songs I’ve ever created. I do love minimalism and achieving tones with just very few notes, and I think this song does that extremely well.|C418}} | |||
=== Trivia === | |||
*''Biome Fest'' track on Bandcamp has a link to a YouTube [https://www.youtube.com/watch?v=953XeQ3qwMM video] called "Minecraft Biome Test". | |||
*''Biome Fest'' appeared on C418's other album, [[148|148]] as a remixed version of the song. | |||
== Mutation == | |||
{{Track infobox | |||
|name=Mutation | |||
|time=3:05 | |||
|bandcamp=[https://c418.bandcamp.com/track/mutation $1] | |||
|spotify=[https://open.spotify.com/track/0G6qJsqHP0Bbe5XuRjxGQq Ad-supported]}} | |||
== Haunt Muskie == | |||
{{Track infobox | |||
|name=Haunt Muskie | |||
|time=6:01 | |||
|bandcamp=[https://c418.bandcamp.com/track/haunt-muskie $1] | |||
|spotify=[https://open.spotify.com/track/3ldyywwove50bW6LR2SYvE Ad-supported]}} | |||
{{Quote|''Haunt Muskie'', if I remember correctly, an anagram for Hatsune Miku. Not entirely sure why anymore, but there you go. This song is very nostalgic for me, and I didn’t expect anyone to like it but just me. It turns out it is a little bit popular though. There was this fairly old video game I used to like. Some game where you solve puzzles of broken rollercoasters you have to fix. The music wasn’t particularly good, but the emotion it carried was something I always remembered. ''Haunt Muskie'' is what I remember that music to be.|C418}} | |||
== Warmth == | |||
{{Track infobox | |||
|name=Warmth | |||
|time=3:59 | |||
|bandcamp=[https://c418.bandcamp.com/track/warmth $1] | |||
|spotify=[https://open.spotify.com/track/1XFTFxXdb4bsdFDDcxXaxE Ad-supported]}} | |||
{{Quote|''Warmth'' plays in the game’s hell. Or as it is called in Minecraft, “Nether”. This song tries to play with the idea that even hell isn’t all bad, and there’s good things to be found. But it’s still a very harsh environment.|C418}} | |||
== Floating Trees == | |||
{{Track infobox | |||
|name=Floating Trees | |||
|time=4:04 | |||
|bandcamp=[https://c418.bandcamp.com/track/floating-trees $1] | |||
|spotify=[https://open.spotify.com/track/1mYAxcDROLJxGF6Q3W5mj9 Ad-supported]}} | |||
== Aria Math == | |||
{{Track infobox | |||
|name=Aria Math | |||
|time=5:10 | |||
|bandcamp=[https://c418.bandcamp.com/track/aria-math $1] | |||
|spotify=[https://open.spotify.com/track/4K0odcECsBvgzv9Lr9z4kd Ad-supported]}} | |||
{{Quote|''Aria Math'' is a song full of Pan Drums and old synthesisers rhythmically dancing to ping pong delays. It’s also one of the creative mode songs. I wrote it with the beauty of the more extreme creations in Minecraft. Gigantic statues, entire cities, paintings, people, all recreated in this game. It’s awe inspiring, and that’s what I wanted to kind of symbolise. Not sure if I succeeded?|C418}} | |||
=== Trivia === | |||
*''Aria Math'' appeared on C418's other album, [[148|148]] as a remixed version of the song. | |||
== Kyoto == | |||
{{Track infobox | |||
|name=Kyoto | |||
|time=4:09 | |||
|bandcamp=[https://c418.bandcamp.com/track/kyoto $1] | |||
|spotify=[https://open.spotify.com/track/1goLLB3LX9bNeVsFeRY5ho Ad-supported]}} | |||
== Ballad of The Cats == | |||
{{Track infobox | |||
|name=Ballad of The Cats | |||
|time=4:35 | |||
|bandcamp=[https://c418.bandcamp.com/track/ballad-of-the-cats $1] | |||
|spotify=[https://open.spotify.com/track/2itBJTmhXvA2cInJ9aC7J6 Ad-supported]}} | |||
== Taswell == | |||
{{Track infobox | |||
|name=Taswell | |||
|time=8:35 | |||
|bandcamp=[https://c418.bandcamp.com/track/taswell $1] | |||
|spotify=[https://open.spotify.com/track/6PwVnlNwVKGD18lWNCh1It Ad-supported]}} | |||
{{Quote|''Taswell'' is a farewell to a friend I only met for a little bit, but they passed away faster than anyone could have imagined. It was shocking, but I didn’t want to remember them for their death, but the happiness they showed every day of their life.|C418}} | |||
== Beginning 2 == | |||
{{Track infobox | |||
|name=Beginning 2 | |||
|time=2:56 | |||
|bandcamp=[https://c418.bandcamp.com/track/beginning-2 $1] | |||
|spotify=[https://open.spotify.com/track/4JusUA5PJZAYOurOAlm0FG Ad-supported]}} | |||
{{Quote|''Beginning 2'' is just like ''Beginning'' on [[Minecraft - Volume Alpha|Alpha]], perhaps the end to the album, or just the beginning. This album is now in the progress of changing tone rapidly, but not before going to ''The End.''|C418}} | |||
== Dreiton == | |||
{{Track infobox | |||
|name=Dreiton | |||
|time=8:17 | |||
|bandcamp=[https://c418.bandcamp.com/track/dreiton $1] | |||
|spotify=[https://open.spotify.com/track/0lEikZP9JffOW4sufCKtQO Ad-supported]}} | |||
{{Quote|''Dreiton'' is a remembrance of the times when I wrote albums like [[zweitonegoismus|'''''Zweitonegoismus'''''']]. When I was still scared to embrace minimalism and simplicity in music. When I was still keen on making my music as crazy and varied as possible. Turns out there was no reason to have such a fear. And with ''Dreiton'', the are essentially only two sections on a song that clocks in at over 8 minutes. I hope I accomplished to have repetition that nonetheless isn’t boring in any way. Like all the other “creative mode” songs, this one is also about the awe of the creativity to be found in Minecraft. At minute 7, the song abruptly builds up to nothing and fades away. Sometimes creativity doesn’t need to have a reason. Sometimes you just build.|C418}} | |||
=== Trivia === | |||
*''Dreiton'' appeared on C418's other album, [[148|148]] as a remixed version of the song. | |||
*Dreiton is the German for three tone. | |||
== The End == | |||
{{Track infobox | |||
|name=The End | |||
|time=15:04 | |||
|bandcamp=[https://c418.bandcamp.com/track/the-end $1] | |||
|spotify=[https://open.spotify.com/track/3CaUrp1M3f4mDNI2IBbodz Ad-supported]}} | |||
{{Quote|''The End'' is a 15 minute piece for the namesake in Minecraft, a place called “The End”, a dark and sinister place full of creepy things called Endermen. Oh, and there’s a dragon. Since The End is also the final stage the player has to go to to “beat” the game, this piece contains a lot of references to past songs. If you listen closely, you can essentially hear most of Volume Alpha embedded within. After building up the drone, the song breaks, as if some sort of audio device couldn’t handle it anymore. Lastly you hear someone fixing it, and it starts from the beginning. At least in the game.|C418}} | |||
=== Trivia === | |||
*''The End'' is one of the longest C418 tracks. | |||
== Chirp == | |||
{{Track infobox | |||
|name=Chirp | |||
|time=3:07 | |||
|bandcamp=[https://c418.bandcamp.com/track/chirp $1] | |||
|spotify=[https://open.spotify.com/track/1cjYtL6yMFDLyZYn9bDkGo Ad-supported]}} | |||
{{Quote|''Chirp'', is where we switch to the records you can find in Minecraft as collectibles.|C418}} | |||
== Wait == | |||
{{Track infobox | |||
|name=Wait | |||
|time=3:54 | |||
|bandcamp=[https://c418.bandcamp.com/track/wait $1] | |||
|spotify=[https://open.spotify.com/track/5jETlbplk10X3x5n7mCPBL Ad-supported]}} | |||
== Mellohi == | |||
{{Track infobox | |||
|name=Mellohi | |||
|time=1:38 | |||
|bandcamp=[https://c418.bandcamp.com/track/ $1] | |||
|spotify=[https://open.spotify.com/track/4gJWOPtNwTZOZNbAMMAK4m Ad-supported]}} | |||
== Stal == | |||
{{Track infobox | |||
|name=Stal | |||
|time=2:32 | |||
|bandcamp=[https://c418.bandcamp.com/track/stal $1] | |||
|spotify=[https://open.spotify.com/track/3YJtGYHVxcUa6EMSqHtIiW Ad-supported]}} | |||
== Strad == | |||
{{Track infobox | |||
|name=Strad | |||
|time=3:08 | |||
|bandcamp=[https://c418.bandcamp.com/track/strad $1] | |||
|spotify=[https://open.spotify.com/track/6jdrVuAbbvcEbUXy1V2HxM Ad-supported]}} | |||
== Eleven == | |||
{{Track infobox | |||
|name=Eleven | |||
|time=1:11 | |||
|bandcamp=[https://c418.bandcamp.com/track/eleven $1] | |||
|spotify=[https://open.spotify.com/track/6TfJfsCEcWek5r2Dgyhp4b Ad-supported]}} | |||
== Ward == | |||
{{Track infobox | |||
|name=Ward | |||
|time=4:10 | |||
|bandcamp=[https://c418.bandcamp.com/track/ward $1] | |||
|spotify=[https://open.spotify.com/track/02qaPvngBKTnUrNOx3v7Mq Ad-supported]}} | |||
== Mall == | |||
{{Track infobox | |||
|name=Mall | |||
|time=3:18 | |||
|bandcamp=[https://c418.bandcamp.com/track/mall $1] | |||
|spotify=[https://open.spotify.com/track/5WmQhFA7VWlPDptFFtY32l Ad-supported]}} | |||
== Blocks == | |||
{{Track infobox | |||
|name=Blocks | |||
|time=5:43 | |||
|bandcamp=[https://c418.bandcamp.com/track/blocks $1] | |||
|spotify=[https://open.spotify.com/track/7MiAqHRKJRw9mYjIAcvOIe Ad-supported]}} | |||
== Far == | |||
{{Track infobox | |||
|name=Far | |||
|time=3:12 | |||
|bandcamp=[https://c418.bandcamp.com/track/far $1] | |||
|spotify=[https://open.spotify.com/track/7tL9xxvZY4C8rx5EKfHIVU Ad-supported]}} | |||
== Intro == | |||
{{Track infobox | |||
|name=Intro | |||
|time=4:36 | |||
|bandcamp=[https://c418.bandcamp.com/track/intro $1] | |||
|spotify=[https://open.spotify.com/track/6MFoqu0qP9MNxj7UgYaxpD Ad-supported]}} | |||
{{Quote|See you next time|C418|[https://c418.bandcamp.com/track/intro Bandcamp]}} | |||
{{Quote|''Intro'', an improv piece to say goodbye. Or hello?|C418}} | |||
= Album trivia = | |||
*There is also an extra track which wasn't added to the album, which you can find [https://www.youtube.com/watch?v=dWL2QYMdGKw here]. |
Revision as of 21:07, 21 August 2018
Minecraft - Volume Beta | |
---|---|
AKA | Minecraft Volume Beta |
Release date | 2013-11-09 |
Genre | Ambient, Orchestral |
Running time | 2:20:49 |
Bandcamp | $7 or more |
Apple Music/iTunes | $9.99 |
Spotify | Ad-supported |
Google Play Music | $9.99 |
This article is still a work in progress. Technically all of them are, but this one might not be completely ready for public viewing. |
This article is missing trivia. The basic details are all here, but if you know some fun facts on these tracks, you should add them. |
Official descriptions
The second official soundtrack of Minecraft. 140 minutes in length and extremely varied.Featuring the all-new creative mode, menu tunes, the horrors of the nether, the end's odd and misleading soothing ambiance and all the missing record discs from the game!
It's my longest album ever, and I hope you'll love the amount of work I crammed into it.
This is the second part to the official soundtrack to the most popular video game in recent history. Critics like to compare the style of my album to Erik Satie, Roedelius, and Brian Eno. Aphex Twin also once said I stole his style.
The big difference of Volume Beta is that the tone is both more positive and at times very dark. Some of the songs even have percussion, which is something that was a complete rarity with Volume Alpha. For example Taswell or Aria Math.
A bunch of the songs are VERY long.
Alpha, being 10 minutes, while “The End” clocks in at 15 minutes. And a lot of the “creative mode” songs are at least around 8 minutes in length.
Additionally, this soundtrack contains the collectible records, which are little vinyl songs you can find in Minecraft, the game. With the exception of Cat. That song you can find on the previous soundtrack, Volume Alpha.
I released this album in late 2013 when I was about to be doing a gig in Mexico. Every time I think about this album, I get nostalgic about Mexico and how wildly different it is from the life I know from Germany or Canada. Though now that I think about it, I feel like Volume Alpha might be a love record to Europe, while Beta is dedicated to America and Asia. This might sound like gibberish to you, but to me it’s kind of a personal internalized opinion.
—C418
Minecraft Volume Beta was C418's fourth major, commercial release.
Tracks
Ki
Ki, like Key, on the previous album is an introduction to the album. But this time it’s not quiet, somber and welcoming, but dark and foreboding.—C418
Alpha
Ki | |
---|---|
Length | 1:32 |
Bandcamp | $1 |
Spotify | Ad-supported |
Alpha is a medley of past songs. It acts as the score that plays when you “beat” Minecraft, but it also acts as a celebration of past music from Volume Alpha.—C418
Trivia
- Alpha was nominated as "The best C418 song of all times".
Dead Voxel
Alpha | |
---|---|
Length | 10:03 |
Bandcamp | $1 |
Spotify | Ad-supported |
Blind Spots
Dead Voxel | |
---|---|
Length | 4:56 |
Bandcamp | $1 |
Spotify | Ad-supported |
Blind Spots is the first song I wrote with the clear intention of having a unique soundtrack for Minecraft’s “creative mode”. I tried to create a piece that doesn’t particularly change much, but keeps reiterating on itself, like a constant remixing of its core theme. As the piece ends, it becomes very melancholic and solemn, but quickly returns to being positive. Things end, but that’s not bad.—C418
Flake
Blind Spots | |
---|---|
Length | 5:32 |
Bandcamp | $1 |
Spotify | Ad-supported |
Moog City 2
Flake | |
---|---|
Length | 2:50 |
Bandcamp | $1 |
Spotify | Ad-supported |
Moog City 2 is a recreation of Moog City from Minecraft Alpha. However this time I actually did use Moog synthesisers, along a lot of other synths that I acquired over the course of making this album.—C418
Concrete Halls
Moog City 2 | |
---|---|
Length | 3:00 |
Bandcamp | $1 |
Spotify | Ad-supported |
Biome Fest
Concrete Halls | |
---|---|
Length | 4:14 |
Bandcamp | $1 |
Spotify | Ad-supported |
Biome Fest is a song that I created when Minecraft Alpha was done, but I felt it had no place anywhere in the game, until the creative mode was sort of reintroduced to the game. It’s one of my favourite songs I’ve ever created. I do love minimalism and achieving tones with just very few notes, and I think this song does that extremely well.—C418
Trivia
- Biome Fest track on Bandcamp has a link to a YouTube video called "Minecraft Biome Test".
- Biome Fest appeared on C418's other album, 148 as a remixed version of the song.
Mutation
Biome Fest | |
---|---|
Length | 6:18 |
Bandcamp | $1 |
Spotify | Ad-supported |
Haunt Muskie
Mutation | |
---|---|
Length | 3:05 |
Bandcamp | $1 |
Spotify | Ad-supported |
Haunt Muskie, if I remember correctly, an anagram for Hatsune Miku. Not entirely sure why anymore, but there you go. This song is very nostalgic for me, and I didn’t expect anyone to like it but just me. It turns out it is a little bit popular though. There was this fairly old video game I used to like. Some game where you solve puzzles of broken rollercoasters you have to fix. The music wasn’t particularly good, but the emotion it carried was something I always remembered. Haunt Muskie is what I remember that music to be.—C418
Warmth
Haunt Muskie | |
---|---|
Length | 6:01 |
Bandcamp | $1 |
Spotify | Ad-supported |
Warmth plays in the game’s hell. Or as it is called in Minecraft, “Nether”. This song tries to play with the idea that even hell isn’t all bad, and there’s good things to be found. But it’s still a very harsh environment.—C418
Floating Trees
Warmth | |
---|---|
Length | 3:59 |
Bandcamp | $1 |
Spotify | Ad-supported |
Aria Math
Floating Trees | |
---|---|
Length | 4:04 |
Bandcamp | $1 |
Spotify | Ad-supported |
Aria Math is a song full of Pan Drums and old synthesisers rhythmically dancing to ping pong delays. It’s also one of the creative mode songs. I wrote it with the beauty of the more extreme creations in Minecraft. Gigantic statues, entire cities, paintings, people, all recreated in this game. It’s awe inspiring, and that’s what I wanted to kind of symbolise. Not sure if I succeeded?—C418
Trivia
- Aria Math appeared on C418's other album, 148 as a remixed version of the song.
Kyoto
Aria Math | |
---|---|
Length | 5:10 |
Bandcamp | $1 |
Spotify | Ad-supported |
Ballad of The Cats
Kyoto | |
---|---|
Length | 4:09 |
Bandcamp | $1 |
Spotify | Ad-supported |
Taswell
Ballad of The Cats | |
---|---|
Length | 4:35 |
Bandcamp | $1 |
Spotify | Ad-supported |
Taswell is a farewell to a friend I only met for a little bit, but they passed away faster than anyone could have imagined. It was shocking, but I didn’t want to remember them for their death, but the happiness they showed every day of their life.—C418
Beginning 2
Taswell | |
---|---|
Length | 8:35 |
Bandcamp | $1 |
Spotify | Ad-supported |
Beginning 2 is just like Beginning on Alpha, perhaps the end to the album, or just the beginning. This album is now in the progress of changing tone rapidly, but not before going to The End.—C418
Dreiton
Beginning 2 | |
---|---|
Length | 2:56 |
Bandcamp | $1 |
Spotify | Ad-supported |
Dreiton is a remembrance of the times when I wrote albums like Zweitonegoismus'. When I was still scared to embrace minimalism and simplicity in music. When I was still keen on making my music as crazy and varied as possible. Turns out there was no reason to have such a fear. And with Dreiton, the are essentially only two sections on a song that clocks in at over 8 minutes. I hope I accomplished to have repetition that nonetheless isn’t boring in any way. Like all the other “creative mode” songs, this one is also about the awe of the creativity to be found in Minecraft. At minute 7, the song abruptly builds up to nothing and fades away. Sometimes creativity doesn’t need to have a reason. Sometimes you just build.—C418
Trivia
- Dreiton appeared on C418's other album, 148 as a remixed version of the song.
- Dreiton is the German for three tone.
The End
Dreiton | |
---|---|
Length | 8:17 |
Bandcamp | $1 |
Spotify | Ad-supported |
The End is a 15 minute piece for the namesake in Minecraft, a place called “The End”, a dark and sinister place full of creepy things called Endermen. Oh, and there’s a dragon. Since The End is also the final stage the player has to go to to “beat” the game, this piece contains a lot of references to past songs. If you listen closely, you can essentially hear most of Volume Alpha embedded within. After building up the drone, the song breaks, as if some sort of audio device couldn’t handle it anymore. Lastly you hear someone fixing it, and it starts from the beginning. At least in the game.—C418
Trivia
- The End is one of the longest C418 tracks.
Chirp
The End | |
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Length | 15:04 |
Bandcamp | $1 |
Spotify | Ad-supported |
Chirp, is where we switch to the records you can find in Minecraft as collectibles.—C418
Wait
Chirp | |
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Length | 3:07 |
Bandcamp | $1 |
Spotify | Ad-supported |
Mellohi
Wait | |
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Length | 3:54 |
Bandcamp | $1 |
Spotify | Ad-supported |
Stal
Mellohi | |
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Length | 1:38 |
Bandcamp | $1 |
Spotify | Ad-supported |
Strad
Stal | |
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Length | 2:32 |
Bandcamp | $1 |
Spotify | Ad-supported |
Eleven
Strad | |
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Length | 3:08 |
Bandcamp | $1 |
Spotify | Ad-supported |
Ward
Eleven | |
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Length | 1:11 |
Bandcamp | $1 |
Spotify | Ad-supported |
Mall
Ward | |
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Length | 4:10 |
Bandcamp | $1 |
Spotify | Ad-supported |
Blocks
Mall | |
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Length | 3:18 |
Bandcamp | $1 |
Spotify | Ad-supported |
Far
Blocks | |
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Length | 5:43 |
Bandcamp | $1 |
Spotify | Ad-supported |
Intro
Far | |
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Length | 3:12 |
Bandcamp | $1 |
Spotify | Ad-supported |
See you next time—C418, Bandcamp
Intro, an improv piece to say goodbye. Or hello?—C418
Album trivia
- There is also an extra track which wasn't added to the album, which you can find here.
Intro | |
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Length | 4:36 |
Bandcamp | $1 |
Spotify | Ad-supported |