| This article is still a work in progress.
Technically all of them are, but this one might not be completely ready for public viewing.
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| This article is missing trivia.
The basic details are all here, but if you know some fun facts on these tracks, you should add them.
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Official descriptions
The second official soundtrack of Minecraft. 140 minutes in length and extremely varied.
Featuring the all-new creative mode, menu tunes, the horrors of the nether, the end's odd and misleading soothing ambiance and all the missing record discs from the game!
It's my longest album ever, and I hope you'll love the amount of work I crammed into it.
This is the second part to the official soundtrack to the most popular video game in recent history. Critics like to compare the style of my album to Erik Satie, Roedelius, and Brian Eno. Aphex Twin also once said I stole his style.
The big difference of Volume Beta is that the tone is both more positive and at times very dark. Some of the songs even have percussion, which is something that was a complete rarity with Volume Alpha. For example Taswell or Aria Math.
A bunch of the songs are VERY long.
Alpha, being 10 minutes, while “The End” clocks in at 15 minutes. And a lot of the “creative mode” songs are at least around 8 minutes in length.
Additionally, this soundtrack contains the collectible records, which are little vinyl songs you can find in Minecraft, the game. With the exception of Cat. That song you can find on the previous soundtrack, Volume Alpha.
I released this album in late 2013 when I was about to be doing a gig in Mexico. Every time I think about this album, I get nostalgic about Mexico and how wildly different it is from the life I know from Germany or Canada. Though now that I think about it, I feel like Volume Alpha might be a love record to Europe, while Beta is dedicated to America and Asia. This might sound like gibberish to you, but to me it’s kind of a personal internalized opinion.
—C418
Minecraft Volume Beta was C418's fourth major, commercial release.
Tracks
Ki
Ki, like Key, on the previous album is an introduction to the album. But this time it’s not quiet, somber and welcoming, but dark and foreboding.
—C418
Alpha
Alpha is a medley of past songs. It acts as the score that plays when you “beat” Minecraft, but it also acts as a celebration of past music from
Volume Alpha.
—C418
Trivia
- Alpha was nominated as "The best C418 song of all times".
Dead Voxel
Blind Spots
Blind Spots is the first song I wrote with the clear intention of having a unique soundtrack for Minecraft’s “creative mode”. I tried to create a piece that doesn’t particularly change much, but keeps reiterating on itself, like a constant remixing of its core theme. As the piece ends, it becomes very melancholic and solemn, but quickly returns to being positive. Things end, but that’s not bad.
—C418
Flake
Moog City 2
Moog City 2 is a recreation of
Moog City from
Minecraft Alpha. However this time I actually did use Moog synthesisers, along a lot of other synths that I acquired over the course of making this album.
—C418
Concrete Halls
Biome Fest
Biome Fest is a song that I created when Minecraft Alpha was done, but I felt it had no place anywhere in the game, until the creative mode was sort of reintroduced to the game. It’s one of my favourite songs I’ve ever created. I do love minimalism and achieving tones with just very few notes, and I think this song does that extremely well.
—C418
Trivia
- Biome Fest track on Bandcamp has a link to a YouTube video called "Minecraft Biome Test".
- Biome Fest appeared on C418's other album, 148 as a remixed version of the song.
Mutation
Haunt Muskie
Haunt Muskie, if I remember correctly, an anagram for Hatsune Miku. Not entirely sure why anymore, but there you go. This song is very nostalgic for me, and I didn’t expect anyone to like it but just me. It turns out it is a little bit popular though. There was this fairly old video game I used to like. Some game where you solve puzzles of broken rollercoasters you have to fix. The music wasn’t particularly good, but the emotion it carried was something I always remembered. Haunt Muskie is what I remember that music to be.
—C418
Warmth
Warmth plays in the game’s hell. Or as it is called in Minecraft, “Nether”. This song tries to play with the idea that even hell isn’t all bad, and there’s good things to be found. But it’s still a very harsh environment.
—C418
Floating Trees
Aria Math
Aria Math is a song full of Pan Drums and old synthesisers rhythmically dancing to ping pong delays. It’s also one of the creative mode songs. I wrote it with the beauty of the more extreme creations in Minecraft. Gigantic statues, entire cities, paintings, people, all recreated in this game. It’s awe inspiring, and that’s what I wanted to kind of symbolise. Not sure if I succeeded?
—C418
Trivia
- Aria Math appeared on C418's other album, 148 as a remixed version of the song.
Kyoto
Ballad of The Cats
Taswell
Taswell is a farewell to a friend I only met for a little bit, but they passed away faster than anyone could have imagined. It was shocking, but I didn’t want to remember them for their death, but the happiness they showed every day of their life.
—C418
Beginning 2
Beginning 2 is just like
Beginning on
Alpha, perhaps the end to the album, or just the beginning. This album is now in the progress of changing tone rapidly, but not before going to
The End. —C418
Dreiton
Dreiton is a remembrance of the times when I wrote albums like
Zweitonegoismus. When I was still scared to embrace minimalism and simplicity in music. When I was still keen on making my music as crazy and varied as possible. Turns out there was no reason to have such a fear. And with
Dreiton, the are essentially only two sections on a song that clocks in at over 8 minutes. I hope I accomplished to have repetition that nonetheless isn’t boring in any way. Like all the other “creative mode” songs, this one is also about the awe of the creativity to be found in Minecraft. At minute 7, the song abruptly builds up to nothing and fades away. Sometimes creativity doesn’t need to have a reason. Sometimes you just build.
—C418
Trivia
- Dreiton appeared on C418's other album, 148 as a remixed version of the song.
- Dreiton is the German for three tone.
The End
The End is a 15 minute piece for the namesake in Minecraft, a place called “The End”, a dark and sinister place full of creepy things called Endermen. Oh, and there’s a dragon. Since The End is also the final stage the player has to go to to “beat” the game, this piece contains a lot of references to past songs. If you listen closely, you can essentially hear most of Volume Alpha embedded within. After building up the drone, the song breaks, as if some sort of audio device couldn’t handle it anymore. Lastly you hear someone fixing it, and it starts from the beginning. At least in the game.
—C418
Trivia
- The End is one of the longest C418 tracks.
Chirp
Chirp, is where we switch to the records you can find in Minecraft as collectibles.
—C418
Wait
Mellohi
Stal
Strad
Eleven
Ward
Mall
Blocks
Far
Intro
See you next time
Intro, an improv piece to say goodbye. Or hello?
—C418
Album trivia
- There is also an extra track which wasn't added to the album, which you can find here.
